2003: fantôme – intro das waltz
FANTÔME - INTRO DAS WALTZ / Bor Land / CD / 2003
01. Intro das Waltz
02. Legacy
03. Asylum Song
04. Daiz of Morning Shades
05. Are You Listening?
06. In Motion
07. Soul Cage ou o Escândalo da Fome
08. Ballerina
09. Vanished Art
10. Millais: Un Modèle Pour Ofelia
11. Pictures of Klein
12. Silence Lives in Ashtrays
13. Moonjune
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MÚSICOS / MUSICIANS
Filipe Miranda | Tiago Esteves | José Moutinho | Ricardo Falcão | Lisete Santos |
Pedro Oliveira | Fernando Vale
MUSIK : KAFKA
LETRAS / LYRICS : Filipe Miranda
* (exc. 09. – Tiago Esteves)
STUDIO : Oops! – Barcelos + AMP – Viana do Castelo, Portugal
PRODUÇÃO / PRODUCTION : Paulo Miranda + KAFKA
ARTWORK : KAFKA
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HISTÓRIA / HISTORY
O álbum ‘Fantôme – Intro Das Waltz’ foi gravado pelo engenheiro de som e amigo da banda Mariano Dias.
Foi editado em CD, formato digipack.
Este disco foi o resultado da experiência performativa ‘Movimento Fantôme’, um registo mais acústico da banda que foi alvo de vários concertos.
O single deste álbum foi ‘Legacy’, para o qual foi feito um video clip (realizado por Rafael Lopes) a circular em vários canais de televisão europeus; o tema ‘In Motion’ tinha sido já incluído na compilação ‘Offline’ (Fnac, 2002) e no disco promocional ‘Kafka’ (2002); a música ‘Millais: Un Modèle Pour Ofelia’ integrou mais tarde a compilação ‘Can Take You Anywhere You Want’ (Bor Land, 2005).
The album ‘Fantôme – Intro Das Waltz’ was sound engineered by friend Mariano Dias;
It was released on CD, digipack format.
The album’s single was ‘Legacy’, for which a video clip was made (directed by Rafael Lopes) and was exhibited in several European television channels; ‘In Motion’ had already been included in compilation ‘Offline’ (Fnac, 2002) and ‘Kafka’ (2002); ‘Millais: Un Modèle Pour Ofelia’ was later released in compilation ‘Can Take You Anywhere You Want’ (Bor Land, 2005).
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LETRAS / LYRICS
copyright: KAFKA / Filipe Miranda
(* KAFKA / Tiago Esteves)
LEGACY > into the room where the mice bite | waiting for the body to disappear | there came the man in his black leather | there was me and you and death | when they failed on me to never come back | into the grave where the owl weeps | our little experiences covered whith sheets | there came the crow waved the black feathers | flowers and love and death | l’inconnu | ant | acid | heroin
ASYLUM SONG > asylum mastered the world | through the window he’s cutting the coal | madness, the kids in a song | to touch the naked soul | confusion erupts again | they bleed their own hands | the silence lives in ashtrays | all bodies are made out of clay | oh, you vicious liars…
DAIZ OF MORNING SHADES > lock yourself out | the days of morning shades (your creeping sight parade) | i saw that you have changed | leave the shell now | show yourself in grace | roam to your essence | i saw that you have changed | scream your lungs out | the days of morning shades (beautiful blessed grey) | i saw that you have changed | give your soul a chance to come out everyday | pure as a phantom | i saw that you have changed | we are the light that lives in the shadow | in the rain | in the multicolour frame | we are the light that lives in the multicolour frame | in the shadow | in the rain | we’ll create monsters – she said – a million creatures of clay… | there’s life inside a mirror – she said – shades, blessed grey…
IN MOTION > i’ve been across the city | to find a place to hide | from the eyes of demons and their coal device | i’ve been in motion over the sight of all the trains | i bought a crazy idol and put it on a chain | if i was running to fast the gods would let me know | or was it just a test for taking all control? | i had enough of those…
BALLERINA > forever you will dance | i will hold you when you fall down | the stage is no longer a reflection of your ground | so you wear your ballerina drama to synchronise the clock to the cannibal structure | i’ll announce your name on the theatre bill board | and though you have no audience your performance is for all your ballerina drama that we have seen before | a choir of old vultures | devouring bad meat eating raw flesh and meat | the show turns old age | we all die at the stage | grab the board with your teeth and nails | we all have to die someday
VANISHED ART * > this night will never break the ice | between the dark ages of time | we’ll never be apart | we’ll never be vanished art | we’ll never fall in tears | we’ll never reveal our fears | there’s a strange girl that cries and screams | dead bodies are falling into her dreams | she’ll never sleep no more | she’s going to close the door | she’ll never be a spark | she’ll never be vanished art | (in the frontline in the spotlight) | don’t touch me! – she said to the light | i want the dark side
MILLAIS: UN MÒDELE POR OFELIA > shake the whip | shake it | they love you more than you could know | they love you more than they can show | they like to see you over there | with your body naked and slave | they sense you are coming to the show | with body burning wasted slow | they love you more than you could know | taste the pink | taste the pill | taste it
PICTURES OF KLEIN > time can’t turn on/off the wheels | seeing old photographs i felt him so near | coming down to the final frontier | a blend of bodies was the will | pictures of klein on the field | corpses | veins bursting | gasoline | black and white make death so real | time can’t turn on/off the wheels | nazi fucking animal!! | pictures of klein on the field | black and white make death so real | pictures of klein they make it so real
MOONJUNE > only you… | dark… sour… | sadly blue | …the limit calls… above
